Lefkara is a small town in Cyprus, home to the traditional, painstaking, eye-hand-coordination-intensive Lefkaritiko needlecraft art.
Some interaction designers choose to work in the digital realm, shaping pixels into elegant interfaces and environments.
Javier is one fine example of this species.
Javier Cañada can be found in the intersection of social sciences and technology.
His natural interest in tapping the possibilities that new tech can offer blends seamlessly with his gifted mind for understanding people’s behaviour.
The elegance found in his works stems from a deep intimacy with the principles of design. It also has to do with having an eye for aesthetics. But above all, it is built on a work ethic that puts discipline, honesty and self-demand first.
A simple recipe perfected over 180 years is just one of the elements in the process of making a great chocolate cake.
Back in 1832 Franz Sacher was commissioned by Prince Wenzel von Metternich to create a special dessert for several important guests. This was the first instance of the now famous Sacher Torte.
The original recipe is rather simple, and hasn’t changed significantly over the years. It is basically a dense chocolate cake with some layers of apricot jam and a dark chocolate coating.
But you have to see how they do it at the Hotel Sacher.
The care. The pride. Those humble yet fit-for-purpose tools.
Interaction designers give shape to the relationships between people and machines. It is both an art and a science.
Ishac Bertran, as most interesting people you meet out there, is not stuck in a narrow field of work. He elegantly blends the fields of design and fine arts.
As a designer he works exploring new ways of relationship between people and technology, while as an artist he explores new ways of connecting analog and digital.
This new installment taps into Ishac’s practice and how he uses prototypes with varying degrees of fidelity as part of his work.
Nowadays coffee makers can choose from countless brewing techniques and machinery
A vast range of coffee beans.
Many shapes of cups and glasses.
Tampers, stencils, all sorts of dairy products. Spices, toppings, sweeteners…
Things have got really complex. And possibly a bit silly too.
Yet there is a little thing I have found in some cafeterias which, to me, adds more to the quality of the experience than the beans’ pedigree.
Frank Buschmann is the type of person that makes the question “Where are you from?” irrelevant. He has lived in South Africa, Nigeria, Germany, The Netherlands, Spain… yet passport stamps are clearly not the goal.
In the professional space, he has also gone through various stages. Each of those made sense as part of an evolution. Nowadays Frank is a woodworker with a level of quality and attention to detail beyond almost anything I have seen before.
This new instalment of Finura features the summary of a long conversation with this seasoned craftsman.